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The Color Line
Four essays, provocative and often poetic, about the black experience in America and the quest for ...
How the 1956 Hungarian Revolution offers a textbook portrait of an uprising against autocratic power.
The Federalist papers, first published in 1787–88, remain a brilliant analysis of the fundamental principles of ...
The Granddaddy of All Bubbles
The story of the first great financial hysteria, London’s 1720 South Sea Bubble, whose characteristics appear ...
The Head in Football
The former player Michael Oriard brings a unique perspective to this informed discussion of the history ...
The Cause and Cure of Hysteria
Senator Joseph McCarthy’s anti-Communist crusade prompts Harry Truman to reflect on the nature of demagoguery.
The Capture of Adolf Eichmann
The behind-the-scenes story of the capture of Adolf Eichmann by the Israeli Secret Service.
Wounded Knee 1973: Still Bleeding
The 1973 occupation of Wounded Knee by American Indians, defying ...
The Story of a Photograph
Walker Evans, Ellie Mae Burroughs, and the Great Depression
Although the Great Depression brought suffering to the cities in equal measure, the images of rural poverty and despair remain the more searing memories of the worst economic collapse in American history. This is largely due to the small band of photographers who recorded the miseries of the poor, under the auspices of the New Deal’s Farm Security Administration. Notable among them were Margaret Bourke-White, Dorothea Lange, Arthur Rothstein, and Walker Evans. The story that Jerry Thompson tells here is of Evans’s iconic photograph of Ellie Mae Burroughs of Hale County, Alabama. Evans made it while working with James Agee on assignment from Fortune magazine. It is not only a great picture technically but has become a memorable symbol of difficult times. How it came to be, and what consequences it provoked, make for a fascinating tale.
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